I invited people to the blog some days ago, and this is what it today looks like in graphics at Google Analytics to get an illustration of where visitors log on from. (Click on images to enhance).
My aim is to increase the amounts of dots in Africa.
And this graph should hopefully turn into more people spending longer time on the blog.
I'll definitely try to work for that this category will keep developing - I like when other bloggers link to my blog, and obviously links from sites with high authority and many readers will increase traffic.
And finally I think it could be interesting observing visitors via mobile devices.
Quote above from one of the people interviewed in this documentary about Share Conference held in Belgrade, in April 2011. It was the first of its kind and it gathered the leaders in digital activism, artists from the field of new media and recognized musicians.
Leaving Copenhagen (above) tomorrow noon for Dar es Salaam (below).
I just came across the two sunsets which share an odd resemblance in spite there are huge differences between the two places.
On the architectural side a clear difference is that Copenhagen has many old buildings with spiky towers. Dar es Salaam has buildings of concrete so new that they aren't finished.
Sunsets and skylines look the same, but it is what's going on in there and in between which counts.
'when governments in developing countries cut corners in education and in health, the result is that some people get that much closer to mortality, and others get trapped in the hard-to-escape ghetto of low-income jobs. That’s why most campaign promises aren’t worth the paper they are printed on — anyone promising quick solutions to deep problems is lying shamelessly.'
'Stripped naked, our racist past is ugly' an article in the South African Mail & Guardian about British Magnum photographer Ian Berry’s 50-year odyssey in South Africa, begins.
When I worked as a teacher a million years ago, commercials like this one could easily have been part of my teaching, and students would have been tasked to analyse the storyline, effects and symbolism.
Vodacom Tanzania - and Tigo - have made some of the most impressive commercials over the past few years. Both companies obviously have neat budgets, but most importantly they work with talented and creative people who master to appeal to our emotions. Too much pathos - too much appeal to emotions - some may claim, though, I have to admit that this commercial does speak to my heart.
Both networks have to illustrate that we are in Tanzania (view of Kilimanjaro, and the dhows on the Indian Ocean), though in fact some videos may be shut in i.e. India due to logistics. Both networks must prove that they reach far into the rural areas (where busses get stuck, or you have to walk the last distance), both networks will illustrate the multiplicity of Tanzania (different clothing and the random Maasai).
The critical teacher would ask 'What happens to the ones who don't have a mobile phone? Is this really Tanzania, or is it the ideal Tanzania of our dreams? How does a commercial company balance between ethichs and values and the customers' demands?'
Most interesting to me, though, is that the mobile phone companies illustrate - in great phootage - that Tanzanian use mobile phones and social media, and that mobile phones are fun - having access to a mobile phone connects you to your family and the greater community.
A very important point, which the mobile phone companies certainly don't fail to illustrate.
Do also check out the original version of Nomakhanjani. One of the most popular songs on (East) African dance floors. Everybody knows how to move jointly when the first tones are heard, and it is not fun if you don't know the moves. I can personally assure so.
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